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从三部 20 世纪初融合了滑稽与惊悚元素的影片出发，诺埃尔·埃尔佩（Noël Herpe）的首部剧情长片展现了他对虚构作品创作惯例的喜爱。极端的情境、逼真的布景、与观众的互动：一切元素都被他用于在某种戏剧形式的废墟上重新唤起电影的乐趣。

A newspaper editor attempts to save a failing girlie magazine.

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Set in Buenos Aires. A man is called upon to identify and evaluate an unfinished and enigmatic painting thought to be the work of the famous painter, Bax. Slowly he finds himself enmeshed in the mysteries of its identification leading him slowly to murder, insanity and death.

The film tells the story of Liao Jun who found a smuggled pistol on a fishing boat, was chased by the underworld and chased by the police, and fled with Zhuo Shengli and his wife who rescued him, and took refuge with his nephew Qiu Wenyuan. The five went north to join Asi, but found him down. Fortunately, with the help of the rich widow Bai Bingbing, the seven-member universal service company has experienced the warmth and coldness of human feelings, experienced the dignity of life, and reflected on innocent humanity. When the business is successful, the underworld seeks revenge, and the seven work together to subdue it. Qiu Wenyuan married Cai Jiahong, and the story of Cai using a steam roller to crush smuggled pistols at the wedding.

When a successful TV personality is robbed of her new film camera, she exaggerates the story to get the most out of her insurance. However, when the young suspect unexpectedly gets arrested, this trivial lie ignites a chain reaction of unforeseen consequences that will know only losers in the end.

An inner monologue contemplating the many parallel and possible lives of a character, all coexisting at the same moment, exploring the tension between the life actually lived and the paths left open.

Anne is thirty six ears old, her friends decide to organize a surprise birthday party where boys are excluded.

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